Always Already, an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, premiered online June 2021, and is available for bookings. Fractured seeds in hearts of machine, a video series directed by Jemima Yong, uses performance material from Always Already, reconfigured for the camera. Online launch event, November 21, 2021; the video series will be available to view online after the event. THICK TIME RADIO STATION, a workshop and event series focussed on creative co-mentorship, took place online via Take Me Somewhere (Glasgow, April 2021), and is available for bookings. Entanglements of Two: A Series of Duets, a new book co-edited by Karen Christopher & Mary Paterson, published by Intellect Books, October 2021. Online launch event, November 21, 2021.
Karen Christopher is a collaborative performance maker, performer, and teacher. Her company, Haranczak/Navarre Performance Projects, is currently engaged in creating a series of duet performances. She was a member of Chicago-based Goat Island performance group for 20 years until the group disbanded in 2009. She now lives in the UK, working to define a practice which continues in a collaborative and plural mode.
In unison, they step off the piece of wood that is balancing on a brick; eyes forward, as if they are not dependent on one another for the act of unbalancing, as if they are not tethered to one another while time trails messily behind them.
. . . how rare it is to see a duet of women onstage; and how wonderful it is to engage with something that is so unhinged — for which you need to trace your own journey, without the necessity of unity. ‘miles & miles’ is falling; it is groundlessness. It is also friendship, and working something from the unknown, and gently excavating the collective and individual memories that make up a theatrical encounter. Christopher and Grodin always invite us to wander, then bring us back, and we enjoy watching them find their way back to us.
Exeunt Magazine (UK)
Through collaboration, separate minds who see differently find a way to draw connections between each other and the performance material. The better we become at collaborative methods, the more we bring the highest ideals and potential toward interaction with the world around us. We are paying attention as a practice of social cooperation.
Video documentation of miles & miles, July 2016 preview performances at Chisenhale Dance Space, London.