Goat Island was a Chicago-based collaborative performance group (1987 - 2009).
Members contributed to the conception, research, writing, choreography, documentation and educational demands of the work. Characteristically, rather than the usual proscenium theater situation, we attempted to establish a spatial relationship with audiences suggesting a concept, such as sporting arena or parade ground, or creating a setting for which there is no everyday comparison. We performed a personal vocabulary of movement, both dance-like and pedestrian, that often made extreme physical demands on the performers, and attention demands on the audience. We incorporated historical and contemporary issues through text and movement. We created visual/spatial images to encapsulate thematic concerns. We placed our performances in non-theatrical sites when possible. We researched and wrote collaborative lectures for public events, and often subsequently published these, either in our own artists' books or in professional journals.
Goat Island was founded in 1987 to produce collaborative performance works developed by its members for local, national, and international audiences. Goat Island completed nine works: Soldier, Child, Tortured Man (1987); We Got A Date (1989); Can't Take Johnny to the Funeral (1991); It's Shifting, Hank (1993); How Dear to Me the Hour When Daylight Dies (1996); The Sea & Poison (1998); It's an Earthquake in My Heart (2001); When will the September roses bloom? Last night was only a comedy (2004); and The Lastmaker (2007). The company toured the US and England, Scotland, Wales, Belgium, Switzerland, Croatia, Germany, and Canada. Goat Island ended with final performances of The Lastmaker at Swain Hall, University of North Carolina, Chapel Hill, February 2009.
Core members were Karen Christopher, Matthew Goulish, Lin Hixson, Mark Jeffery, Bryan Saner, and Litó Walkey. Associate members were Cynthia Ashby, Lucy Cash (formerly Lucy Baldwyn), CJ Mitchell, Judd Morrissey, Margaret Nelson, John Rich, Charissa Tolentino and Chantal Zakari.
Karen Christopher was a core member of Goat Island from 1990 to 2009. More information about Goat Island’s performances, films, teaching, writing and publications can be found at here
Goat Island Makes Earthquake, video diary by Karen Christopher
cake dance from It's an Earthquake in my Heart, Goat Island, 2001, Arnolfini, Bristol
excerpt from It's Aching like Birds, film by Lucy Cash & Goat Island
excerpt from The Sea & Poison, Goat Island, Chicago, 1998
excerpts from The Sea & Poison, Goat Island, 1998, video by Left & Right, Glasgow
excerpts from The Lastmaker, Goat Island, 2007, MCA Chicago, video by Nadia Ousenko