Karen
Christopher

I was at Reading the Internet, virtually

I was in Warwick back then (early October 2015) but I sent this recording along to Something Other's event READING THE INTERNET:

https://somethingothertemp.wordpress.com/2015/11/13/birds-nest-soup-karen-christopher/#more-123

Tags: Mary Paterson

Posted on Monday, 9 November 2015 by Karen Christopher

Mary wrote something that made me cry 3 weeks later

The thing is, when it came in, her piece of writing, I was far away in California (looking at the sky) and the October performances at Chelsea Theatre were a distant glowing memory but the problems that were right in front of me were the ones I was focussed on and the life just before was pale or hazy and her writing brought it all clearly back into focus.

This piece by Mary Paterson about Control Signal (duet by Karen Christopher and Sophie Grodin) is revealing the heart of what we were working on and the way Mary has been able to articulate her experience of it hit me like cupid's arrow, a kind of beautiful pain.

Tags: Sophie Grodin, Performance Centre, Falmouth, Mary Paterson, Jemima Yong, duet, Control Signal, Chelsea Theatre

Posted on Sunday, 19 January 2014 by Karen Christopher

Here, Gone & the promise of more to come

We've now received and posted written responses to So Below from two invited responders: Joe Kelleher and Mary Paterson. There are excerpts here and links to the full texts (below).

From Joe Kelleher'is piece:

‘As above, so below’ is a peculiar, two-ways-facing formula that implies at the same time a turning in to secrets and mysteries – a hermeticism in that sense – but also an involvement and opening out: from world to world, from one individual to another, from the individual to the universe, or from the place and time in which we find ourselves into spaces we have to access through memory, or sympathetic imagination, through what we are able to conjure poetically through gesture and speech, or faith. In Karen Christopher and Gerard Bell’s theatrical duet So Below other places seem to be constantly intruding into what is going on here; or at least the signs of such intrusion are there to be gathered up, tuned into, sniffed out.

full text here

From Mary Paterson's piece:

So Below is a duet that unfolds as if Karen Christopher and Gerard Bell know what’s going to happen, but they haven’t discovered it yet. It appears like a story glimpsed in a stream of words that have tumbled out of a book in the wrong order. To watch, it is surprising. To remember, it is full of sensory pleasure, like a mist of steam rising from a silver spout. 
Sometimes you can hear Karen’s footsteps before you see her: the sound is a crunch of boots on something hard, and it sounds of longing. You think: if only I could dance a ritual like Karen and Gerard and make absent bodies reappear. If only I could make the sound of Karen into something corporeal. They dance like they’re praying – swinging back and forth with the words of gravestone inscriptions falling from their lips, their tidy bodies folding and unfolding like envelopes of magic.

full text here

SO BELOW, a performance duet, is a Haranczak/Navarre Performance Project by Gerard Bell & Karen Christopher (2012).

Tags: So Below, Mary Paterson, Joe Kelleher, Chelsea Theatre

Posted on Saturday, 30 March 2013 by Karen Christopher